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Danielle Harris Reveals ‘Stake Land’ Webisodes!

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While visiting the set of Dark Sky Films’ Stake Land in the cold, upstate Catskill Mountains, leading lady Danielle Harris spilled the beans about a series of webisodes that were shot for each of the main characters in the film. You can read all about them beyond the break. Being helmed by Jim Mickle (Mulberry Street), the flick takes place following a global spread of vampirism.
Kelly McGillis plays a nun who joins a small team of survivors – including Danielle Harris – as they make a treacherous journey north to safety through the war-torn U.S.

With there being so little dialogue in Stake Land (watch for our full report soon), and virtually no back stories, some of the lead actors and actresses in the movie have directed their own shorts, which will be available for viewing before the film’s release.

I just directed a webisode for Stake Land,” Danielle Harris told Bloody-Disgusting. “The webisodes are a nice little look inside our lives before we met. They’re short, maybe four to seven minutes each. It’s a great chance to sort of see all the directors’ styles, and how we differ from one another, which I don’t think is done very often, giving the fans the chance to sort of become emotionally invested in these characters before they watch them. A little snippet into their lives.

Further conversation revealed that Danielle Harris would be singing in her back story.

I come out in a beautiful, risqué, very short, cleavage gown… I’m just kidding. No, there’s no Sequin gowns in this movie! It’s just a nice way to sort of introduce who Belle is. We’re sort of having a little honkey tonk. We’re singing – Jim Mickle (director) and Adam Folk (producer) were out there with me – one playing the banjo, one playing the guitar. I got a chance to sing, and I have a horrible cold – I don’t have the greatest voice to begin with. I guess I can kind of carry a tune. But, um… I gave it my all. I’m the girl you usually have to bribe when I’m drunk – cause I don’t get up and do kareoke, no matter how much money you put on the table. I did it once, because Quentin Tarantino directed me up on stage and I just couldn’t resist, but other than that, I just don’t get up on stage. So – this was new for me. It will be interesting to see. I think it will be on the soundtrack, which I’m really nervous about.

When asked if it was ever considered to go into a studio:

Jim is really about leaving it real and keeping it real and not having it look like we’ve done it in the studio, pitch corrected. I don’t really care, to be honest,” said Danielle, shrugging it all off. “Whatever. I’m not a singer, I’m an actress. But it was fun to do. Again, I have this cold, and I couldn’t really hear myself, so it’s probably a little bit off key. Or a lot off key. But I got the crowd going, which is all that really mattered. And then I left, drove six hours, slept, got up and drove to the mountains and watched the sun rise for my short. I shot for twelve hours today. And now I’m going to bed…

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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