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SDCC ’09: FREE ‘The Collector’ Screening, RSVP NOW!!

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This year’s San Diego Comic Con is jammed-packed with nightly special events – the best part is, that you all get to go! Thursday you can be the first on your block to check out Trick ‘r Treat, then on Friday, July 24 at 10pm you will be some of the first people EVER to witness Marcus Dunstan and Patrick Melton’s The Collector, their new slasher film arriving in cinemas July 31 from Freestyle Releasing. Check out details on how to RSVP (this will fill fast, so do it quick), along with a look at the brand new one sheet.
The slasher follows the story of handyman and ex-con Arkin, who aims to repay a debt to his ex-wife by robbing his new employer’s country home. Unfortunately for Arkin, a far worse enemy has already laid claim to the property – and the family. As the seconds tick down to midnight, Arkin becomes a reluctant hero trapped by a masked “Collector” in a maze of lethal invention – the Spanish Inquisition as imagined by Rube Goldberg – while trying to rescue the very family he came to rob.

THE COLLECTOR will screen during Comic-Con
Friday, July 24 at 10pm
Pacific Theatres Gas Lamp Theatre
701 5th Avenue

TO RSVP: Send your NAME and whether or not you’re bringing a guest to thecollector.bloody@gmail.com

You will receive a confirmation e-mail — and make sure to get there early as there will be a limited number of exclusive shirts being given away!

Watch the trailer below:

The Collector One Sheet

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘The Invisible Man 2’ – Elisabeth Moss Says the Sequel Is Closer Than Ever to Happening

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Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.

First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.

Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.

Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.

Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.

“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”

She adds, “We are very much intent on continuing that story.”

At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.

Stay tuned for more on The Invisible Man 2 as we learn it.

[Related] Power Corrupts: Universal Monsters Classic ‘The Invisible Man’ at 90

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