Movies
Aronofsky Takes on the Supernatural in ‘Black Swan’
I’m dying for Darren Aronofsky to do something mainstream. While I have high hopes for RoboCop, it’s pretty exciting to see him developing something original as well. Some good news hit the Hollywood Reporter last night as they broke the news that Aronofsky’s long-gestured Black Swan could soon be taking flight – thanks to Natalie Portman. Read on for the skinny.
After being set up in early 2007 at Universal, the project — a supernatural thriller set in the world of New York City ballet — has been reconstituted after being put into turnaround by the studio. It has been making the rounds to studios and specialty divisions, several of which are keenly interested.
Among the elements giving it a boost: Natalie Portman is attached to play the lead.
Several other changes have occurred since the Aronofsky-helmed project was first developed by Universal.
Mark Heyman, a development exec at Aronofsky’s Protozoa Pictures, has done a rewrite of John McLaughlin’s original script for the pic, which Mike Medavoy’s Phoenix Pictures and Protozoa are producing.
Aronofsky, meanwhile, has gone on to helm the critical and commercial favorite “The Wrestler,” putting him in high demand.
“Swan” centers on a veteran ballerina (Portman) who finds herself locked in a competitive situation with a rival dancer, with the stakes and twists increasing as the dancers approach a big performance. But it’s unclear whether the rival is a supernatural apparition or if the protagonist is simply having delusions.
Those who’ve read the script say it’s a spine-tingler with elements of “The Others,” the Nicole Kidman breakout in which viewers are left to discern what’s real and what’s imagined.
If a sale happens imminently, “Swan” could begin shooting as early as this year. Aronofsky has not committed to a movie that’s ready to go, though he has been developing the “Robocop” reboot at MGM.
Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.
First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.
Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.
Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.
Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.
“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”
She adds, “We are very much intent on continuing that story.”
At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.
Stay tuned for more on The Invisible Man 2 as we learn it.
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