Movies
Aronofsky Takes on the Supernatural in ‘Black Swan’
I’m dying for Darren Aronofsky to do something mainstream. While I have high hopes for RoboCop, it’s pretty exciting to see him developing something original as well. Some good news hit the Hollywood Reporter last night as they broke the news that Aronofsky’s long-gestured Black Swan could soon be taking flight – thanks to Natalie Portman. Read on for the skinny.
After being set up in early 2007 at Universal, the project — a supernatural thriller set in the world of New York City ballet — has been reconstituted after being put into turnaround by the studio. It has been making the rounds to studios and specialty divisions, several of which are keenly interested.
Among the elements giving it a boost: Natalie Portman is attached to play the lead.
Several other changes have occurred since the Aronofsky-helmed project was first developed by Universal.
Mark Heyman, a development exec at Aronofsky’s Protozoa Pictures, has done a rewrite of John McLaughlin’s original script for the pic, which Mike Medavoy’s Phoenix Pictures and Protozoa are producing.
Aronofsky, meanwhile, has gone on to helm the critical and commercial favorite “The Wrestler,” putting him in high demand.
“Swan” centers on a veteran ballerina (Portman) who finds herself locked in a competitive situation with a rival dancer, with the stakes and twists increasing as the dancers approach a big performance. But it’s unclear whether the rival is a supernatural apparition or if the protagonist is simply having delusions.
Those who’ve read the script say it’s a spine-tingler with elements of “The Others,” the Nicole Kidman breakout in which viewers are left to discern what’s real and what’s imagined.
If a sale happens imminently, “Swan” could begin shooting as early as this year. Aronofsky has not committed to a movie that’s ready to go, though he has been developing the “Robocop” reboot at MGM.
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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