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‘Carrie’ Casting Down To Two Very Different Actresses

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Wow. Casting for the lead in Sony/MGM’s remake of Stephen King’s Carrie is down to two very different choices. Chloe Grace Moretz (pictured above; Kick Ass, Let Me In) and Haley Bennett (pictured below; Lawless).

Per Vulture, “now we’re told the field has narrowed to two main contenders: the 15-year-old Chloë Moretz (Kick-Ass) and the 24-year-old Haley Bennett… we also hear that earlier this week, The Descendants’ Shailene Woodley passed on an offer from MGM to take the title role.” Apparently Jodie Foster has been offered the role of Carrie’s mother but there’s no word yet on if she’ll do it.

Kimberly Peirce is directing the redo of King’s thriller “about the telekinetic teenager who gets pushed too far at the prom and wreaks havoc on her fellow high school students,” .Carrie was previously turned into the 1976 film that starred Sissy Spacek, John Travolta and Amy Irving, with Piper Laurie as the repressive mother.

The new script has been written by Roberto Aguirre-Sacasa.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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