Movies
TV: Video, Image Previews for NBC’s ‘Grimm’
Just picked up for series by NBC is “Grimm”, a new world of police work where all cases have a storybook connection…but not always happily ever after.
From executive producers David Greenwalt (“Angel”, “Buffy the Vampire Slayer”) and Jim Kouf (“Angel”, National Treasure), “Grimm” also stars David Giuntoli as Nick Burkhardt, Russell Hornsby as Lt. Hank Griffin, Bitsie Tulloch as Juliette Silverton, Sasha Roiz as Captain Renard, and Reggie Lee as Sgt. Wu.
With the series kicking off this fall on Friday night at 9/8c, we got our hands on some teaser videos and first imagery, all of which can be found inside. You’ll also find an in depth plot synopsis that’ll bring you up to speed on NBC’s latest genre series.
“Remember the fairy tales your parents used to tell you before bedtime? Well, those weren’t stories, they were warnings.
Detective Nick Burkhardt (David Giuntoli) thought he was ready for the grim reality of working homicide in Portland, Oregon. That is, until he started to see things…things he couldn’t quite explain. Like a gorgeous woman suddenly transforming into a hideous hag or an average Joe turning into a vicious troll. Then, after a panicked visit from his only living relative, Nick discovers the truth about his visions: He’s not like everyone else; he’s a descendant of an elite group of hunters known as “Grimms” who are charged with stopping the proliferation of supernatural creatures in the world. And so begins his new life journey – albeit a reluctant one at first – as he solves crimes with his partner who knows something about Nick has radically changed but can’t quite put his finger on it. Along the way, Nick finds himself unexpectedly getting help on some of the more difficult cases from Monroe (Silas Weir Mitchell), a guy who seems normal at first but is soon revealed to be what you might call a “big bad wolf.” Literally!
While the Brothers Grimm wrote fairy tales that children have adored for generations, imagine if the villains were real and Nick was the only one who could stop them.”
Movies
‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts
In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.
The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.
But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).
Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.
That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.
Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.
Stay tuned for more box office reporting in the coming days.
In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”
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