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‘ATM’ Deposits An Italian Poster!

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Oh man. I can already tell that covering ATM is going to bring out the worst in me. And by that I mean bad puns. I mean, just look at the headline for the article. Not funny, but I couldn’t help myself.

IFC Midnight will be releasing David Brooks’ thriller on VOD and Digital Platforms (iTunes, Amazon Streaming, XBox ZUNE, PS3 Video Unlimited) on March 2nd before opening in theaters on April 6th. Penned by by Chris Sparling, whose previous credits include the Ryan Reynolds-starrer Buried, the flick stars Brian Geraghty (The Hurt Locker), Josh Peck (The Wackness), Alice Eve (Entourage).

The trio play co-workers who make a late-night visit to an ATM and find themselves fighting for their lives when they become trapped by an unknown man.

What are some of your worst ATM related jokes? Or am I gonna have to bill you for insufficient puns? Hit the jump to let me know and check out the full poster!

Movies

‘Wolf Man’ Movie from Universal and Director Leigh Whannell Moves into 2025

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Wolf Man 2025

Filming kicked off just a couple weeks ago on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which had been ambitiously dated for release on October 25, 2024. As it turns out, however, a Halloween 2024 release was a bit too ambitious.

THR reports that Wolf Man will howl its way into theaters on January 17, 2025.

Christopher Abbott (Poor Things) has been cast in the titular role.

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Julia Garner (The Royal Hotel) will also star.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

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