Movies
See The ‘Cold Skin’ Creature In Early Concept Art
Frontier(s) and The Divide director Xavier Gens, who is also in development on James Wan’s House of Horrors, has shared some early concept art from his long gestured adaptation, Cold Skin, which once had 30 Days of Night’s David Slade attached to direct.
“Cold Skin” is the debut novel by Catalan author Albert Sánchez Piñol. The novel chronicles the stay of an unnamed weather official on a remote island in the south Atlantic close to the Antarctic Circle. The film adaptation was written by 28 Weeks Later‘s Jesus Olmo.
“On the edge of the Antarctic Circle, in the years after World War One, a steamship approaches a desolate island far from all shipping lanes. On board is a young man, on his way to assume the post of weather observer, to live in solitude at the end of the earth. But on shore he finds no trace of the man whom he has been sent to replace, just a deranged castaway who has witnessed a horror he refuses to name. For the next twelve months his entire world will consist of a deserted cabin, trees, rocks, silence and the surrounding sea. Then night begins to fall…”
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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