Movies
1960 ‘The City of the Dead’ Being Remade
Welsh production company Pillay-Evans Productions announced today that it has teamed up with independent producer Adam Stephen Kelly to produce and develop a remake of 1960’s classic British horror film, The City of the Dead, known in the USA as Horror Hotel.
The film is to be written and directed by BAFTA member SJ Evans, who made his feature debut to critical acclaim with the documentary Tattoos: A Scarred History.
“A young coed (Nan Barlow) uses her winter vacation to research a paper on witchcraft in New England. Her professor (Christopher Lee) recommends that she spend her time in a small village called Whitewood. Things begin to happen in earnest when she finds herself marked for sacrifice by the undead coven of witches” Evans noted, “The remake of THE CITY OF THE DEAD will stay true to the original and concentrate on atmosphere and good old fashioned storytelling, instead of relying on gore or CGI to move the plot along. I grew up watching the classic Universal horrors and was inspired by how the likes of James Whale created this sense of dread and unease with just a look. I want to bring that style of filmmaking back to the big screen instead of another music video, quick-cut horror film. We are all very excited by the prospect of bringing one of the greatest witchcraft films ever made to a new audience and know that fans of the original will be satisfied with the effort we are making to honour this classic.”
Pillay-Evans Productions is fast becoming synonymous with British horror with the upcoming original features SHADOWS WITHIN, NEW YEAR’S EVIL, THE HOUSE ON THE EDGE OF THE PARK PART II, directed by genre legend Ruggero Deodato, and the currently in-production DEAD OF THE NITE, starring horror icon Tony Todd.
Kelly, best known for his work with Ain’t It Cool News under the pseudonym Britgeek, added, “It’s our intention to take British horror back to its roots. With our film, we’re going back to what made the genre we love great. Over the last year or so, we’ve seen attitudes towards the genre changing and audiences are growing tired of being grossed out. They’re after the next big scare. With THE CITY OF THE DEAD, we aim to make a film that evokes emotion from the audience because of its characters, atmosphere and tension, rather than how much blood is spilled. We’re going to combine classic genre tropes with a classic story to create something that will take a 21st century audience for a ride.”
Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.
First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.
Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.
Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.
Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.
“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”
She adds, “We are very much intent on continuing that story.”
At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.
Stay tuned for more on The Invisible Man 2 as we learn it.
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