Connect with us

Editorials

Best & Worst of 2009: The Year’s Best One Sheets

Published

on

Before any footage from a film is seen, typically a teaser or full one sheet is released by a studio. This is an incredibly important, even detrimental process as it is the first thing the consumers will see and identify with a movie. If the poster stinks, the consumer might write it off all together, while a good poster could lead to them checking out the official website, trailer and best case scenario, hanging it from their wall (the most personal relationship any of us have with a movie). To say the least, posters are damn important. As part of our year end coverage, we present to you the year’s best theatrical posters.

BEST ONE SHEETS OF 2009

Click any to see it larger
Posters listed in no particular order

Frozen (Anchor Bay)


Carrying inspiration from other top-notch one sheets like Open Water, the poster for Frozen is remarkably eye-catching. Anyone who catches a glimpse of this in a theater is sure to walk over and ponder on it for a second. It’s also quite representational of the flick and is sure to get people marking their calendars for the February release.

The Crazies (Overture)


A breath of fresh air from the previous one sheet that was incredibly confusing. The imagery is frightening, and more importantly, the tagline is awesome. “Fear Thy Neighbor.” Bing, bang, boom.

The Stepfather (Sony Screen Gems)(


I’m not a very big fan of Screen Gems’ posters where they render an image to look like a painting, but for some reason I think the one sheet for STEPFATHER works. It’s eye-catching, simple and actually a little unnerving. Too bad the movie wasn’t half as entertaining as the poster.

My Bloody Valentine (Lionsgate)


I loved Lionsgate’s one sheet for their remake of MY BLOODY VALENTINE. Outside of us hardcore horror fans, the average theatergoer has no clue who the killer is. The poster gives us a clear look at the slasher while also highlighting the 3-D aspect by creating two other slightly transparent versions. Good stuff.

Halloween II (Dimension Films)


After Dimension’s nauseating one sheet for the remake, Rob Zombie’s HALLOWEEN II was blessed with this violent and chaotic masterpiece of wall art. Like the movie or not, the marketing was well done – too bad it had to go up against THE FINAL DESTINATION, a film that delivered a brutal blow at the box office.

Friday the 13th (Warner Bros. Pictures)


Whether it’s by name or image, everyone knows who Jason Voorhees is, therefore there’s no reason to keep him in the shadows. Warner Bros. released this stunning one sheet for the FRIDAY THE 13TH remake that features a full shot of the infamous masked killer in all of his powerful glory. Whether that translated to film is up to you to decide.

The Wolfman (Universal Pictures)


With the movie looking to finally hit theaters in February, Universal Pictures released this gorgeous blue-tinted poster for THE WOLFMAN. Again, who doesn’t know the Wolfman? So why not let him tear it up in this action-packed one sheet that has serious bite.

Clash of the Titans (Warner Bros. Pictures)


To our surprise this has been one of the most popular and well-received poster debuts here on Bloody Disgusting. While CLASH OF THE TITANS is a fantasy film, there are some horrific elements like the three blind witches, the Kraken, and of course that sexy snake-headed Medusa. This one sheet screams for your attention. It’s bold, strong imagery is captivating and the color scheme blends beautifully with our hero. Aces.

Drag Me to Hell (Universal Pictures)


With a film titled DRAG ME TO HELL it doesn’t hurt to display exactly what the film is about on your poster. I enjoy Universal’s choice in drowning out the background images and bringing our star to the forefront with the fire and brimstone. And for those of you who read the little tagline… how can you beat, “But in three days, she’s going to hell”?

The Haunting in Connecticut (Lionsgate)


A terrible, terrible film that features probably the single best one sheet of the year. Too bad you could only see it at the comfort of your home on your computer screen. Lionsgate released this “motion poster” that’s one of the first to actually do something. Vomiting ectoplasm? Yes please.

Saw VI (Lionsgate)


When I first saw the poster for SAW VI at the San Diego Comic Con, it blew my mind. The imagery is striking, eye-catching and bold. How incredibly arrogant is it (have to appreciate it) to feature a giant VI without even a single mention of the title. It quite simply says, “you know it, you got it, here’s it comes.”

Jennifer’s Body (20th Century Fox)


Megan Fox’s long legs and a school shirt=WIN.

Daybreakers


Again, not a fan of artistic renderings, but the color scheme and creepy image are beyond eye-catching. This poster calls for your attention and begs you to come over and spend a few seconds seeing what it’s all about.

Antichrist (IFC Films)


There’s nothing better than a poster that tells you exactly what you’re going to see in theaters. IFC’s one sheet for ANTICHRIST says “sex in a creepy place, over and over again.” Don’t be shocked when you see a bloody penis.

The House of the Devil (Magnet Releasing)


Magnolia Pictures/Magnet Releasing created a series of “retro posters” for the release of Ti West’s 80’s horror period piece THE HOUSE OF THE DEVIL. They’re all amazing, especially the one with the hand reaching out for you.

CHECK OUT THE WORST ONE SHEETS OF 2009

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

Advertisement
Click to comment

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

Published

on

Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

Continue Reading