Movies
John Hurt Throws Himself Upon Bong Joon-Ho’s ‘Snow Piercer’!
We previously reported that Tilda Swinton (We Need to Talk About Kevin) and Jamie Bell (Retreat, The Adventures of Tintin) were in talks to join Chris Evans in the indie Snow Piercer from The Host helmer Bong Joon-ho.
And now it appears that Joh Hurt (Alien) has tossed his hat in the ring as well. Per The Telegraph, “As well as starring in a new Henry V, Hurt will from March to June in 2012 be working on a film called Snow Piercer by the Korean director Bong joon-Ho, who made ‘Mother’ and ‘Memories Of Murder’. Hurt added: ‘All the film crew refer to him, with great reverence, as ‘Director Bong’. I love the fact that I am working for Director Bong.’
Joon-ho also wrote the script with Park Chan-wook, director of the original Korean cult classic Oldboy, producing. “Set in a world covered in snow and ice, the story follows a train full of travelers who struggle to co-exist.”
The film will also reunite Joon-ho with his The Host and Memories Of Murder star Song Kang-ho (pictured above), who also starred in Chan-wook’s Sympathy for Mr. Vengeance, Lady Vengeance and J.S.A.: Joint Security Area.
Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.
Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things), Julia Garner (The Royal Hotel), and Sam Jaeger.
The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).
Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.
Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.
Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.
In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.
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