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A Double Does of Arquette in Fattening ‘Glutton’

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Director David Arquette has tapped his sister Patricia Arquette (Stigmata) and Kacey Barnfield (Resident Evil: Afterlife) to play the two female leads in Remember Dreaming Prods.’ psychological thriller Glutton, reports Variety.

Kenny Yakkel wrote the 3D pic, which stars “ER” alum Abraham Benrubi as a 1,200-pound bedridden man. Arquette will play his sister and caretaker, while Barnfield will play a blind neighbor who’s his only friend.

The pic, which is described as being in the vein of Misery, starts production next month in Canada.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Wolf Man’ Movie from Universal and Director Leigh Whannell Moves into 2025

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Wolf Man 2025

Filming kicked off just a couple weeks ago on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which had been ambitiously dated for release on October 25, 2024. As it turns out, however, a Halloween 2024 release was a bit too ambitious.

THR reports that Wolf Man will howl its way into theaters on January 17, 2025.

Christopher Abbott (Poor Things) has been cast in the titular role.

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Julia Garner (The Royal Hotel) will also star.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

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