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English-Subbed Trailer for ‘REC’ Director’s ‘Sleep Tight’

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While Paco Plaze gets rolling on the third REC, co-creator Jaume Balagueró’s (REC, REC 2, Darkness, Fragile: A Ghost Story) is gearing up for Cannes to sell his psychological thriller Sleep Tight (formerly Flatmate), which follows the residents of the building where Cesar works as a doorman are not aware of the overtime he has been putting in.

We’ve got an English-subbed teaser trailer that shares with us the first ever footage. How can you not be excited to see what Balagueró has up his sleeve?
We all know who our friends are but what about our acquaintances? Those people who play a small part in our everyday lives, how well do we really know them? And how well do they know us?

Marcos works as a doorman in a Barcelona apartment building. Happiness eludes him and he feels the need to reaffirm his reasons for living on a daily basis. He goes about his day to day work mainly unnoticed by the residents of the building, but he pays close attention to them. He knows all the intimate details of their lives, everything about them, especially one of them. Clara King is a happy-go-lucky young woman, who always looks on the positive side of things. Her cheery attitude to life makes Marcos’ skin crawl. He won’t be happy until he has wiped that smile of her face once and for all, because Marcos feeds off other people’s pain. He delights in the unhappiness and anguish of others and he loves nothing more than to plant the seed of misery and watch it grow. In Clara he has found the perfect target, and he will go to extreme lengths to make her life miserable. But Marcos is starting to get a bit too cocky, and soon his carefully thought out plans will start to unravel…

Luckily for him, he has one last ace up his sleeve.

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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