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OMFG #2: Lionsgate Throws Violent Blow at Paramount: ‘Saw’ vs ‘Paranormal Activity’… IT’S ON!

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And you thought the Halloween II / The Final Destination battle was good…. the war between Paramount Pictures and Lionsgate has officially begun – and it’s positioning itself to be EPIC. As many of you know, Saw VI director Kevin Greutert was attached to get behind the camera for Paranormal Activity 2. Paramount furthered the attack by placing the sequel head-to-head with Lionsgate and Twisted Pictures’ Saw VII 3D on October 22. If last year was any indication, Paranormal definitely had the upper hand in the competition, a battle that hadn’t really begun until now. Lionsgate has thrown a VIOLENT blow back at Paramount by exercising an option that has forced Greutert to head back to Toronto for the seventh Saw film instead of showing off his talents in Paranormal 2. It wasn’t his decision as he’s now officially a casualty of war. David Hackl on the other hand, he’ll be moving over to an unnamed Lionsgate project (thank God). Want more? Read on. Talk, talk, talk, talk, TALK. OMFG.
The following comes courtesy of Deadline:

It’s a move that ratchets up the rivalry between Paramount and Lionsgate for Halloween 2010 dominance. Saw franchise partners Twisted Pictures and Lionsgate have just exercised an option and installed Saw VI director Kevin Greutert as director of Saw 3D, the seventh volume of the fright series. That blocks Paramount, which had hired Greutert to direct Paranormal Activity 2. Both films are set for release on October 22nd, and the move came after Paramount set that date. Meanwhile Twisted Pictures, which held an option on the director from back when he helmed Saw VI, bumped previously announced Saw 3D director David Hackl, who directed Saw V and who will be assigned another film quickly, sources tell me. Both directors have been involved in the Saw films from the beginning. The rivalry between the films began last fall, when Paramount’s sleeper hit Paranormal Activity bloodied Twisted/Lionsgate’s Saw VI at the box office en route to a $150 million worldwide gross on a $15,000 budget. It will be interesting to see how Paramount responds. But I like this battling a lot.

I was a pretty big fan of Kevin Greutert’s work in the sixth Saw, which is why I’m excited to see him back for the seventh film. But in all honesty, I would have really enjoyed to see what he could have done in a completely different sub-genre with Paranormal 2. I think this is such a dick move by Twisted Pictures/Lionsgate, especially at the expense of Kevin, but this makes for some good PR.

Damned if I can’t wait to see how Paramount strikes back — if they even need to. STAY TUNED THERE IS MORE TO THIS STORY TO COME!

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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Matilda Firth Joins the Cast of Director Leigh Whannell’s ‘Wolf Man’ Movie

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Pictured: Matilda Firth in 'Christmas Carole'

Filming is underway on The Invisible Man director Leigh Whannell’s Wolf Man for Universal and Blumhouse, which will be howling its way into theaters on January 17, 2025.

Deadline reports that Matilda Firth (Disenchanted) is the latest actor to sign on, joining Christopher Abbott (Poor Things),  Julia Garner (The Royal Hotel), and Sam Jaeger.

The project will mark Whannell’s second monster movie and fourth directing collaboration with Blumhouse Productions (The Invisible Man, Upgrade, Insidious: Chapter 3).

Wolf Man stars Christopher Abbott as a man whose family is being terrorized by a lethal predator.

Writers include Whannell & Corbett Tuck as well as Lauren Schuker Blum & Rebecca Angelo.

Jason Blum is producing the film. Ryan Gosling, Ken Kao, Bea Sequeira, Mel Turner and Whannell are executive producers. Wolf Man is a Blumhouse and Motel Movies production.

In the wake of the failed Dark Universe, Leigh Whannell’s The Invisible Man has been the only real success story for the Universal Monsters brand, which has been struggling with recent box office flops including the comedic Renfield and period horror movie The Last Voyage of the Demeter. Giving him the keys to the castle once more seems like a wise idea, to say the least.

Wolf Man 2024

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