Connect with us

Editorials

Top Ten Cheesiest Horror Movie One-Liners!

Published

on

Oh, America. We do love our one-liners, don’t we? From sea to shining sea, they’ve never really gone out of style (although some would argue they reached their pinnacle in the 1980s). When done right, they are truly a wondrous thing to behold (see: Billy Wilder). When done wrong, they’re capable of providing hours upon hours of unintentional laughter. Well, unintentional on the part of the filmmakers, anyway. Of course, the term “one-liner” often brings to mind comedies and action films, but what about horror? Our favorite genre has its fair share, believe me. And after hours and hours of extensive research, I’ve managed to compile a list of the ten best. You’re welcome.
&color2

Top Ten Cheesiest Horror Movie One-Liners

10. The Movie: Doom (2005)


The Plot: Based on the best-selling video game, the story follows a group of Space Marines as they investigate strange events at a research facility on Mars and are besieged by hostile creatures.

The Context: Doctor Carmack (Robert Russell), the man responsible for the outbreak of genetically-altered mutants, transforms into an “imp“. Dr. Samantha Grimm (Rosamund Pike) says that his condition may be reversible. Sarge (Dwayne Johnson) begs to differ.

The Line:Doctor Carmack’s condition is irreversible…[shoots Dr. Carmack]…because Carmack’s condition is that he’s dead.

The Cheese: Movie budget: $70 million. Screenplay budget: chicken wings.

9. The Movie: Pulse (2006)


The Plot: When one of their friends commits suicide, a group of college students finds out that his death is linked to a computer virus that has unlocked the pathway between the dead and the living.

The Context: Mattie (Kristen Bell) finds her friend Izzie (Christina Milian) hiding under her covers and acting strangely.

The Line:Do you know what dying tastes like? Metal.” – Izzie (Christina Milian)

The Cheese: What? I thought it tasted like pizza.

8. The Movie: Silent Night, Deadly Night Part 2 (1987)


The Plot: Ricky Caldwell (Eric Freeman) – the brother of the “Santa Claus killer” in the first movie – escapes from a mental hospital, dons a Santa outfit and goes on a search for the Mother Superior he blames for his brother’s fate.

The Context: In a flashback sequence before he was committed to the hospital, we see Ricky going on a shooting rampage through a suburban neighborhood. When he comes across one unfortunate soccer dad taking out the trash, he aims his gun and opens fire.

The Line:Garbage day!” – Ricky Caldwell (Eric Freeman)

The Cheese: Ok, I get maybe it’s not as funny reading this line as it is watching it. Which is why you should head on over to YouTube immediately and witness the glory of actor/community college drama-school-reject Eric Freeman delivering this bad boy. I don’t use the word “transcendent” lightly, but…seriously, just watch it. Just…seriously.

7. The Movie: New York Ripper (1982)


The Plot: A New York detective and a psychoanalyst go on the hunt for a vicious serial killer responsible for murdering several women in the Big Apple.

The Context: A coroner performs an autopsy on one of the murdered women and offers his considered opinion.

The Line:He used a blade. Stuck it up her joy trail, and slit her wide open.” – Dr. Barry Jones (Robert Spafford)

The Cheese: Come on doc, don’t hold back. Give it to me straight. Note:Joy trail” has now officially entered my daily vocabulary.

6. The Movie: Shark Attack 3: Megalodon (2002)




The Plot: A giant prehistoric shark terrorizes the waters off the coast of Mexico.

The Context: Ben Carpenter (John Barrowman) walks research scientist Cat Stone (Jennifer McShane) to her car after a long, hard day. She tells him she’s exhausted, but Mr. Carpenter has other things in mind.

The Line:I’m really wired. What do you say I take you home and eat your p***y?” – Ben Carpenter (John Barrowman)

The Cheese: Need further proof that the movies are nothing like real life? This actually gets the dude laid. Note: Actor John Barrowman improvised this line. Which effectively makes him one of the Top Ten People in the History of the Universe.

5. The Movie: Feardotcom (2002)


The Plot: A detective and a Department of Health employee investigate a series of mysterious deaths all linked to a website called FearDotCom.com.

The Context: Alistair Pratt (Stephen Rea), the sadistic mastermind of the website, taunts a victim who he has tied up and blindfolded.

The Line:How enticing the smell of cheap perfume can be… or is that fear?” – Alistair Pratt (Stephen Rea)

The Cheese: No… actually that’s just cheap perfume.

4. The Movie: Species (1995)


The Plot: A team of scientists and FBI agents must track down a deadly half-human/half-alien creature created by the government before she is able to mate with a human man and produce offspring.

The Context: Empath Dan Smithson (Forest Whitaker) comes across a dead body.

The Line:Something bad happened here.” – Dan Smithson (Forest Whitaker)

The Cheese: Your powers of deduction are truly awesome, psychic friend! I’m sorry I ever doubted you.

3. The Movie: Alone in the Dark (2005)


The Plot: A paranormal detective and a brilliant (super-hot!) archaeologist discover that an ancient civilization opened the door between light and darkness and released something…evil.

The Context: Paranormal detective Edward Carnby (Christian Slater) offers up a nugget of profound insight.

The Line:Fear is what protects you from the things you don’t believe in.” – Edward Carnby (Christian Slater)

The Cheese: Tara Reid is still trying to figure this one out.

2. The Movie: The Swarm (1978)

The Plot: An enormous swarm of killer bees from Africa invades the United States.

The Context: Dr. Hubbard, concerned about the possibility of the killer bees disrupting a nearby nuclear plant, approaches plant director Dr. Andrews to shut it down. When Andrews scoffs and says billions have been spent to keep the plant fail-safe, Hubbard replies with the following gem.

The Line:I appreciate that, Doctor, but let me ask you: in all your fail-safe techniques, is there a provision for an attack by killer bees?” – Dr. Hubbard (Richard Chamberlain)

The Cheese: Uh…that’s a rhetorical question, right?

1. The Movie: They Live (1988)

The Plot: Homeless drifter George Nada (Roddy Piper) discovers a pair of sunglasses that, when worn, reveal a race of alien beings posing as humans.

The Context: George stumbles into a bank filled with the alien creatures and readies his shotgun.

The Line:I have come here to chew bubblegum and kick ass. And I’m all out of bubblegum.” – George Nada (Roddy Piper)

The Cheese: The wrestler-turned-actor allegedly ad-libbed this line during filming. Which really begs the question: have they already decided on the Lifetime Achievement award recipient at the Oscars this year? If not, I have three words for you: Roddy f***ing Piper.

Advertisement
Click to comment

Editorials

Finding Faith and Violence in ‘The Book of Eli’ 14 Years Later

Published

on

Having grown up in a religious family, Christian movie night was something that happened a lot more often than I care to admit. However, back when I was a teenager, my parents showed up one night with an unusually cool-looking DVD of a movie that had been recommended to them by a church leader. Curious to see what new kind of evangelical propaganda my parents had rented this time, I proceeded to watch the film with them expecting a heavy-handed snoozefest.

To my surprise, I was a few minutes in when Denzel Washington proceeded to dismember a band of cannibal raiders when I realized that this was in fact a real movie. My mom was horrified by the flick’s extreme violence and dark subject matter, but I instantly became a fan of the Hughes Brothers’ faith-based 2010 thriller, The Book of Eli. And with the film’s atomic apocalypse having apparently taken place in 2024, I think this is the perfect time to dive into why this grim parable might also be entertaining for horror fans.

Originally penned by gaming journalist and The Walking Dead: The Game co-writer Gary Whitta, the spec script for The Book of Eli was already making waves back in 2007 when it appeared on the coveted Blacklist. It wasn’t long before Columbia and Warner Bros. snatched up the rights to the project, hiring From Hell directors Albert and Allen Hughes while also garnering attention from industry heavyweights like Denzel Washington and Gary Oldman.

After a series of revisions by Anthony Peckham meant to make the story more consumer-friendly, the picture was finally released in January of 2010, with the finished film following Denzel as a mysterious wanderer making his way across a post-apocalyptic America while protecting a sacred book. Along the way, he encounters a run-down settlement controlled by Bill Carnegie (Gary Oldman), a man desperate to get his hands on Eli’s book so he can motivate his underlings to expand his empire. Unwilling to let this power fall into the wrong hands, Eli embarks on a dangerous journey that will test the limits of his faith.


SO WHY IS IT WORTH WATCHING?

Judging by the film’s box-office success, mainstream audiences appear to have enjoyed the Hughes’ bleak vision of a future where everything went wrong, but critics were left divided by the flick’s trope-heavy narrative and unapologetic religious elements. And while I’ll be the first to admit that The Book of Eli isn’t particularly subtle or original, I appreciate the film’s earnest execution of familiar ideas.

For starters, I’d like to address the religious elephant in the room, as I understand the hesitation that some folks (myself included) might have about watching something that sounds like Christian propaganda. Faith does indeed play a huge part in the narrative here, but I’d argue that the film is more about the power of stories than a specific religion. The entire point of Oldman’s character is that he needs a unifying narrative that he can take advantage of in order to manipulate others, while Eli ultimately chooses to deliver his gift to a community of scholars. In fact, the movie even makes a point of placing the Bible in between equally culturally important books like the Torah and Quran, which I think is pretty poignant for a flick inspired by exploitation cinema.

Sure, the film has its fair share of logical inconsistencies (ranging from the extent of Eli’s Daredevil superpowers to his impossibly small Braille Bible), but I think the film more than makes up for these nitpicks with a genuine passion for classic post-apocalyptic cinema. Several critics accused the film of being a knockoff of superior productions, but I’d argue that both Whitta and the Hughes knowingly crafted a loving pastiche of genre influences like Mad Max and A Boy and His Dog.

Lastly, it’s no surprise that the cast here absolutely kicks ass. Denzel plays the title role of a stoic badass perfectly (going so far as to train with Bruce Lee’s protégée in order to perform his own stunts) while Oldman effortlessly assumes a surprisingly subdued yet incredibly intimidating persona. Even Mila Kunis is remarkably charming here, though I wish the script had taken the time to develop these secondary characters a little further. And hey, did I mention that Tom Waits is in this?


AND WHAT MAKES IT HORROR ADJACENT?

Denzel’s very first interaction with another human being in this movie results in a gory fight scene culminating in a face-off against a masked brute wielding a chainsaw (which he presumably uses to butcher travelers before eating them), so I think it’s safe to say that this dog-eat-dog vision of America will likely appeal to horror fans.

From diseased cannibals to hyper-violent motorcycle gangs roaming the wasteland, there’s plenty of disturbing R-rated material here – which is even more impressive when you remember that this story revolves around the bible. And while there are a few too many references to sexual assault for my taste, even if it does make sense in-universe, the flick does a great job of immersing you in this post-nuclear nightmare.

The excessively depressing color palette and obvious green screen effects may take some viewers out of the experience, but the beat-up and lived-in sets and costume design do their best to bring this dead world to life – which might just be the scariest part of the experience.

Ultimately, I believe your enjoyment of The Book of Eli will largely depend on how willing you are to overlook some ham-fisted biblical references in order to enjoy some brutal post-apocalyptic shenanigans. And while I can’t really blame folks who’d rather not deal with that, I think it would be a shame to miss out on a genuinely engaging thrill-ride because of one minor detail.

With that in mind, I’m incredibly curious to see what Whitta and the Hughes Brothers have planned for the upcoming prequel series starring John Boyega


There’s no understating the importance of a balanced media diet, and since bloody and disgusting entertainment isn’t exclusive to the horror genre, we’ve come up with Horror Adjacent – a recurring column where we recommend non-horror movies that horror fans might enjoy.

Continue Reading