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Early Concept Art for Nazi-Horror Tale ‘The 4th Reich 3D’

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The 4th Reich 3D is a new and original war/horror movie from director Shaun Robert Smith (The Soldier, This Place) that explores the consequences of the Third Reich’s disease testing experiments in war torn Europe 1944. The script is packed with blood & guts, fantastic set design and superb locations. Production has already begun. Check out some concept art and a long synopsis below.
June 1944, after the glorious victory on D-day, the armies of the combined allied forces begin their long push to Berlin with the aim of bringing down Hitler and the despised Nazi regime of the Third Reich.

But buried deep in secret files German Reichstag, is the chilling reality of Hitler’s plan to create an eternal living hell, The 4th Reich.

Dr. Joseph Mengele, Hitler’s chief scientist, was charged with creating a new super army of invincible soldiers. A force that would never be beaten. His experiments and research at the death camps of Auschwitz, Belsen and Birkenau would create unspeakable evil.

A small brigade of soldiers from 3rd Infantry Division, under the command of the battle hardened Captain Bathurst embark on an ever darkening quest to liberate Europe. Fighting their way through the French countryside, villages and war ravaged towns. Each step discovering progressively strange battles and events until they reach an abandoned research facility where the true horror begins…

Check out a ton more photos:

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘The Invisible Man 2’ – Elisabeth Moss Says the Sequel Is Closer Than Ever to Happening

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Universal has been having a hell of a time getting their Universal Monsters brand back on a better path in the wake of the Dark Universe collapsing, with four movies thus far released in the years since The Mummy attempted to get that interconnected universe off the ground.

First was Leigh Whannell’s The Invisible Man, to date the only post-Mummy hit for the Universal Monsters, followed by The Last Voyage of the Demeter, Renfield, and now Abigail. The latter three films have attempted to bring Dracula back to the screen in fresh ways, but both Demeter and Renfield severely underperformed at the box office. And while Abigail is a far better vampire movie than those two, it’s unfortunately also struggling to turn a profit.

Where does the Universal Monsters brand go from here? The good news is that Universal and Blumhouse have once again enlisted the help of Leigh Whannell for their upcoming Wolf Man reboot, which is howling its way into theaters in January 2025. This is good news, of course, because Whannell’s Invisible Man was the best – and certainly most profitable – of the post-Dark Universe movies that Universal has been able to conjure up. The film ended its worldwide run with $144 million back in 2020, a massive win considering the $7 million budget.

Given the film was such a success, you may wondering why The Invisible Man 2 hasn’t come along in these past four years. But the wait for that sequel may be coming to an end.

Speaking with the Happy Sad Confused podcast this week, The Invisible Man star Elisabeth Moss notes that she feels “very good” about the sequel’s development at this point in time.

“Blumhouse and my production company [Love & Squalor Pictures]… we are closer than we have ever been to cracking it,” Moss updates this week. “And I feel very good about it.”

She adds, “We are very much intent on continuing that story.”

At the end of the 2020 movie, Elisabeth Moss’s heroine Cecilia Kass uses her stalker’s high-tech invisibility suit to kill him, now in possession of the technology that ruined her life.

Stay tuned for more on The Invisible Man 2 as we learn it.

[Related] Power Corrupts: Universal Monsters Classic ‘The Invisible Man’ at 90

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