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NSFW Gore-Soaked Stills from ‘In the Mouth of Ubaldo Terzani’

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Did you guys have a chance to check out Ghost House Underground’s The Last House in the Woods? While it’s not the bets movie, it does feature its fair share of blood and guts. We just caught wind of Gabriele Albanesi’s follow-up entitled In the Mouth of Ubaldo Terzani, and got our hands a look at some brutal stills that are definitely NOT WORK SAFE. Dig on ’em below the break.
Minerva Pictures Group is proud to announce the end of shooting for In the Mouth of Ubaldo Terzani, the new feature film from Italian director Gabriele Albanesi (The Last House in the Woods, part of Ghost House Underground Eight Box Set) now in post-production.

Alessio Rinaldi, a 25 years old director, get the charge from a producer to write the script of his first movie with Ubaldo Terzani, a well known writer of horror novels.

Alessio moves then in Terzani’s house to start this collaboration and suddenly grows between them a strange relationship of psychological dependence: Ubaldo Terzani unveils his dark side and Alessio fall in a desperate depth of craziness and nightmares. There is a reason why Terzani’s bestsellers are so frightening…Alessio will discover that reality can be unexpectedly more terrifying than every brainchild and he will have to fight hard to get rid of Ubaldo Terzani’s jaws.

IN THE MOUTH OF UBALDO TERZANI was written by Gabriele Albanesi and stars Giuseppe Soleri as Alessio, Paolo Sassanelli as Ubaldo Terzani and Laura Gigante as Sara, Alessio’s girlfriend. The special effects were made by Italian Wizard of Gore Sergio Stivaletti, here at his second collaboration with Albanesi after “The Last House in the Woods”.

Click the image for the full gallery:

Horror movie fanatic who co-founded Bloody Disgusting in 2001. Producer on Southbound, V/H/S/2/3/94, SiREN, Under the Bed, and A Horrible Way to Die. Chicago-based. Horror, pizza and basketball connoisseur. Taco Bell daily. Franchise favs: Hellraiser, Child's Play, A Nightmare on Elm Street, Halloween, Scream and Friday the 13th. Horror 365 days a year.

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‘Abigail’ on Track for a Better Opening Weekend Than Universal’s Previous Two Vampire Attempts

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In the wake of Leigh Whannell’s Invisible Man back in 2020, Universal has been struggling to achieve further box office success with their Universal Monsters brand. Even in the early days of the pandemic, Invisible Man scared up $144 million at the worldwide box office, while last year’s Universal Monsters: Dracula movies The Last Voyage of the Demeter and Renfield didn’t even approach that number when you COMBINE their individual box office hauls.

The horror-comedy Renfield came along first in April 2023, ending its run with just $26 million. The period piece Last Voyage of the Demeter ended its own run with a mere $21 million.

But Universal is trying again with their ballerina vampire movie Abigail this weekend, the latest bloodbath directed by the filmmakers known as Radio Silence (Ready or Not, Scream).

Unlike Demeter and Renfield, the early reviews for Abigail are incredibly strong, with our own Meagan Navarro calling the film “savagely inventive in terms of its vampiric gore,” ultimately “offering a thrill ride with sharp, pointy teeth.” Read her full review here.

That early buzz – coupled with some excellent trailers – should drive Abigail to moderate box office success, the film already scaring up $1 million in Thursday previews last night. Variety notes that Abigail is currently on track to enjoy a $12 million – $15 million opening weekend, which would smash Renfield ($8 million) and Demeter’s ($6 million) opening weekends.

Working to Abigail‘s advantage is the film’s reported $28 million production budget, making it a more affordable box office bet for Universal than the two aforementioned movies.

Stay tuned for more box office reporting in the coming days.

In Abigail, “After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they’re locked inside with no normal little girl.”

Abigail Melissa Barrera movie

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