TV
James Wan-Produced Horror Series “Archive 81” Brings Found Footage to Netflix in January [Images]
James Wan is on board as executive producer for a supernatural horror series titled “Archive 81” for Netflix, inspired by the found footage podcast of the same name.
Today we’ve learned that the series will premiere on January 14, 2022.
You can check out some first-look images below.
“Archive 81” will star Underwater‘s Mamoudou Athie with “Altered Carbon” alumna Dina Shihabi, Martin Donovan (Big Little Lies), Matt McGorry (How To Get Away With Murder), Julia Chan (Katy Keene), Evan Jonigkeit, and Ariana Neal (Hidden Figures).
In the series…
“When archivist Dan Turner (Athie) takes a mysterious job restoring a collection of damaged videotapes from 1994, he finds himself reconstructing the work of documentary filmmaker Melody Pendras (Shihabi) and her investigation into a dangerous cult. As Dan is drawn into Melody’s story, he becomes convinced he can save her from the terrifying end she met 25 years ago.”
Marc Sollinger and Daniel Powell created the podcast and will co-produce the series. “Stranger Things” director Rebecca Thomas is on board to direct half the debut season.
“An original story loosely inspired by the popular podcast of the same name, “Archive 81” is a supernatural thriller series executive produced by showrunner Rebecca Sonnenshine (The Boys, The Vampire Diaries), James Wan and Michael Clear of Atomic Monster (The Conjuring Universe film franchise and Malignant), Rebecca Thomas (Stranger Things, Limetown), Antoine Douaihy (Panic, The Good Cop) and Paul Harris Boardman (Deliver Us from Evil).”

Archive 81. Mamoudou Athie as Dan Turner in episode 101 of Archive 81. Cr. Quantrell D. Colbert/Netflix © 2021

Archive 81. (L to R) Gameela Wright as Erica Lewis, Ariana Neal as Jess, Martin Sola as Father Russo, Dina Shihabi as Melody Pendras in episode 103 of Archive 81. Cr. Quantrell D. Colbert/Netflix © 2021

Archive 81. Dina Shihabi as Melody Pendras in episode 105 of Archive 81. Cr. Quantrell D. Colbert/Netflix © 2021

Archive 81. (L to R) Mark Mcgorry as Mark Higgins, Mamoudou Athie as Dan Turner in episode 108 of Archive 81. Cr. Quantrell D. Colbert/Netflix © 2021

Archive 81. Martin Donovan as Virgil Davenport in episode 10 of Archive 81. Cr. Quantrell D. Colbert/Netflix © 2021
TV
Netflix Reteams with ‘Train to Busan’ Director on Live-Action ‘Parasyte: Tamiya’ Series
Netflix has announced that its stepping back into the Parasyte universe with new live-action series Parasite: TAMIYA set for 2027.
The streamer is reteaming with Train to Busan and Parasyte: The Grey director Yeon Sang-ho for the new series based on the Japanese manga Parasyte (Kiseijuu) by Hitsoshi Iwaaki. Yeon Sang-ho co-writes with Ryu Yong-jae.
TAMIYA tells the story of “Ryoko Tamiya, a very levelheaded and ‘human’ parasite who begins to question how, or if, parasites and humans can coexist. Seen through Tamiya’s eyes, the world of Parasyte becomes a lens on survival, identity and what it really means to be human.”
Shioli Kutsuna stars in the new series as Ryoka Tamiya, playing the character in three ways: her human form, the supposedly violent parasite, and the parasite who struggles to coexist with humans.
Kutsuna said of her role, “Ryoko Tamiya is the most challenging role I have ever played in my acting career. This series was brought to life through the dedication of the entire cast and crew, who supported one another through every challenge along the way.”
Netflix Japan’s Sato Yoshihiro, manager of live action creative, added, “‘What makes a human?’ ‘Can we coexist with beings that are different from us?’ These questions posed by ‘Parasyte’ more than 30 years ago feel much more pressing for our modern society that has placed non-sentient AI at all of our fingertips.”
Kensaku Kakimoto and Kazuhiro Nakagawa direct the series.
Parasite: The Grey, the first series adaptation in this universe, debuted in 2024 on Netflix and remained on the Global Top 10 Non-English Shows list for four weeks and ranked #1 in 34 countries, making expansion all but inevitable.




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