Comics
Review: Kirkman, Silvestri’s DEMONIC Is One Hell Of A Good Read
Robert Kirkman’s (“WALKING DEAD”, “MARVEL ZOMBIES”) newest installment into Top Cow’s “PILOT SEASON” has been plagued with release date issues, being pushed back twice in the span of one month alone. It was getting so bad that it left readers wondering if the story was even going to happen at all, and if it did then the next question became whether or not it was going to be the comic equivalent of the forthcoming “WOLFMAN” remake and get pushed from this month entirely. But thankfully all is well, and for whatever creative or political reasoning that kept “DEMONIC” from readers hands for the past couple weeks, allow me to be the one to
assure you that it was not to ill effect. Read on for the full review.
“DEMONIC” is at it’s heart the story of a man (Scott) who is fighting off his own inner demon. In this case a completely naked, hot pink, witch of a specter that wants just one thing: for Scott to kill his wife and daughter. It will not subside from his vision until it is fed souls, and that leaves Scott few options. And so is Scott’s plight as he is forced into vigilantism as the cloaked crusader the police call, Demonic.
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Being that this is a potential one-and-done story, Kirkman does all he can to pack as much action, blood, gore, character introduction, and relationship development as he can into the 32 pages he has to work with. No easy task for any writer, and if it weren’t for the fact that he is such a seasoned vet to the genre now he might have failed. But there is a steady hand at work here, and after all is said and done you wouldn’t be able to tell you had read just one intro issue to a potentially dead story. We are introduced to all the major players in Scott’s world, his wife, his child, the demon haunting his mind, and the police that struggle with the irritation of not being able to stop the murderous crusader who has slaughtered many of their brothers in arms. There is a heavy emotional weight packed into these pages, that of a man that might potentially be dealing not with a supernatural entity, but that of his own psychosis as it begs the question: does the devil
want his family dead or is it himself?
There are no definitive answers in this issue, just the questions that are planted in the backs of our minds as we race headlong into the story, spiraling to the finale at break-neck speed with our anti-hero. The feel of raw, untapped, barely explored potential seeps from every line of the story that Kirkman and Silvestri have laid in our hands. One that begs to be explored further. The story itself borrows somewhat from its predecessors like “SPAWN”, but it does what it sets out to do with the stigma of “PILOT SEASON” hanging over its head, and it does so admirably. You buy into the story almost from the start, and thanks to Silvestri’s superior artwork you feel it as well. There isn’t much that doesn’t work in this one. The only real fault you could hand it is that it seems to rush through things a bit, only giving a taste of everything it shows you. But unfortunately that is all it can do.
When all is done and read “PILOT SEASON: DEMONIC” is a well written, well drawn, well executed piece that borders on potential greatness. There is so much going on that it even seems to trip on its own restraints at times, but at the end of the day the creative team that brought the equally good “MURDERER” into the world have once again created a near perfect read. And at just $2.99 this is one ride you most certainly need to buy a ticket for. I guarantee you’ll find something to like.
4 Out Of 5 Skulls
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Comics
‘Curse of the Where Wolf’ Bites Into August Release With Trio of Werewolf Theatrical Screenings [Exclusive Preview]
Larry Chaney‘s hairy misadventures are continuing in the sequel graphic novel Curse of the Where Wolf from creative team Rob Saucedo, Debora Lancianese, and Jack Morelli, and its author is celebrating with a trio of horror’s greatest werewolf films.
The Curse of the Where Wolf hits shelves on August 7 from Encyclopocalypse Publications.
That coincides with the launch of a theatrical screening event in Houston, Texas, featuring a trio of seminal werewolf flicks turning 45 this year: The Howling on August 7, Wolfen on August 14, and An American Werewolf in London on August 21.
Each screening features a “werewolf in film” presentation as well as a book signing from Where Wolf author and River Oaks Theatre artistic director Rob Saucedo.
In the new graphic novel, “Being a werewolf sucks. Reporter Larry Chaney wanted to be a hero. Instead, he became a werewolf. Now, caught between incredible new powers and a desire to eat everything (and everyone) in sight, Larry must find a cure for his curse. Or die trying.”
“With Where Wolf, I wanted to tell a whodunit set in a furry convention, so the story was pretty contained within a very specific setting and genre. With Curse of the Where Wolf, I wanted to celebrate everything I love about the possibility of comic books. Curse of the Where Wolf is a funny book, in every sense of the phrase, but it’s also an earnest look at a person’s struggle to become a better version of themselves, especially when the alternative is to become a literal monster,” Saucedo says of Curse.
The original graphic novel was previously serialized as the first webcomic hosted on Fangoria before being collected by Encyclopocalypse Publications in 2023 and has already been optioned for film, podcast, and television development ahead of launch by producers James Fino (“The Freak Brothers” for Tubi, “Rick and Morty” for Adult Swim) and Charles Horak (First Date for Magnolia Pictures).
Expect Larry to find himself in even weirder situations in the 362-page full color sequel; Saucedo has provided Bloody Disgusting with exclusive art pages from the upcoming graphic novel that showcase lupine humor.







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